A way of seeing.
A way of remembering
바라보게 되는 방식을 탐구하고,
기억되는 것들을 포착합니다.
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현재 홈페이지를 새롭게 개편하고 있습니다.
더 나은 콘텐츠와 경험을 제공하기 위해 준비 중이며,
곧 새로운 모습으로 찾아뵙겠습니다.
我们的网站目前正在进行全新改版。为了提供更优质的内容与使用体验,我们正在积极准备中,并将很快以全新的面貌与您见面。

우리는 반드시 그 문을 넘어가야 한다.
두려움은 문 앞에 머물게 하지만, 새로운 시선과
새로운 세계는 언제나 그 너머에서 시작된다.
We must cross that doorway.
Fear may keep us standing before it, but
a new perspective and a new world
always begin on the other side.
我们终将跨越那扇门。
恐惧会让人停留在门前,
但新的视角与新的世界,始终从门的另一边开始。
Seb. 2014 Western Himalaya
Landscape Photography Exhibition 2015
Competition at the Magnum Photography 2017
Mount Dhaulagiri (धौलागिरी, dhaulāgirī)
This work was exhibited in the Magnum Photography Exhibition, capturing the grandeur of Dhaulagiri and the overwhelming scale of its natural landscape. It seeks to portray the mountain’s terrain, light, and the fleeting moments created by its environment, expressing the sense of time and space inherent in nature. The photograph shown here was taken by a Sherpa who accompanied the artist during the expedition, capturing the moment when the artist collapsed while descending from Dhaulagiri.
May. 2016 Cosmetic desire
Portrait Photography
Model : Ivana
The water continuously flowing down the model’s face symbolizes desire, while the model’s expression as they endure it represents the cleansing act of makeup and the endurance it requires. Together, they embody the price of beauty and the relative suffering associated with contemporary ideals of beauty. This project, created in collaboration with a cosmetics brand under the theme of “Cosmetics Desire,” seeks to present an expanded interpretation of the aesthetic meaning inherent in the act of applying makeup.
Aug. 2019: Vietnam, City of Hanoi street
Việt Nam Thành phố Hà Nội
Photography Street Florist
Dust rising from the street meets the light, while the glow from the shops colors the night. Between them, a flower vendor walks slowly through the scene. Amid the vibrant cityscape, what is it that first captures our attention? Is it the flowers, the person, or the street that weaves them together into a single moment? In the end, perhaps what we are truly looking at is not the subject itself, but the perspective that chose to preserve that moment.

Jun. 2019: Japan, Oita, Yufu City
日本国 , 大分県 ,由布市
Photography Forest Dreaming
I once stayed in Yufuin, Oita Prefecture, Japan, for a period of rest. As the sun was setting, I wandered through the forest across from my lodging, and the moment I looked up at the sky, I felt both the fear and the curiosity held within the deep woods. Although the presence never revealed itself, it approached only through the air brushing against my skin and the faint traces that lingered beyond my sight. I came to remember it not with my eyes, but through my senses.

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